Satie Piano Works Ciccolini Rar
Anyone who for some reason does not know Erik Satie's piano music has been missing out on a singularly wonderful thing. I've listened for so many years to the bulk of it that it has entered my being as something eternally internal to me.
I still have the old LPs of the Frank Glazer Vox Box, the Aldo Ciccolini volumes on Angel/EMI, and lately the Jeroen van Veen CD set on Brilliant (see my review here from last October 6, 2016).And now we have Nicolas Horvath playing Cosima Wagner's 1881 Erard Grand (the make of piano that Satie favored) for Volume One of the Complete Piano Works in the new corrected Salabert Edition of 2016 in its World Premier recording (Grand Piano 761). The Glazer version is the most middle-of-the-road in its clean depiction of the scores, the Ciccolini is the must sparkling and impressionistic version, the van Veen is the more radically iconoclastic of all of them, featuring very slow, sensuously beautiful versions of the lyric masterworks and adventurous readings of the other works.And so what of Horvath's new set? Of the Volume One? The Erard gives us a sort of pale, brittle vulnerability to the lyric works, most of which are a part of Volume One. We get Gnossiennes, Gymnopedies, Sarabands, the 'Sonneries de la Rose Croix' and other gems both very familiar and less so.Horvath's interpretations are meant to be faithful to Satie's vision and as such they are not spectacularly slow or fast, not extrovertedly dashing so much as concentrated.The Salabert Edition corrects the numerous errors that crept into the printed versions of the works, some because Satie did not proofread the printed galleys as carefully as he might, and others for whatever reason. I cannot say that my well-accustomed Satie ears perked up and lead me to a pronounced 'wow' at any particular point in my listening, but nonetheless it is always a good thing to get the music closer to what Satie intended.The wealth of lyric pieces combined into the First Volume along with the sterling interpretations make this an excellent place to start for anyone who does not know Satie well. For the cognoscenti this new set promises to be another offering of finely poetic interpretations that completists or enthusiasts will want to have.Strongly recommended.
Grego Applegate Edwards's Classical-Modern Music Review blogsite covers recent releases or re-issues of recordings that feature classical and concert music, primarily of the 20th and 21st Centuries, but earlier music as well when warranted. All styles of relevance will be addressed from Late-Romantic and Neo-Romantic through High-Modern, Avant Garde and Post-Modern styles. Chamber music, orchestral, choral, operatic, and electronic forms will be considered as well as music that combines a classical element with one or more other stylistic elements. Earlier periods will get coverage when a release has something to say to us. Both established and unfamiliar composers will get attention.
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All content copyright 2007-19 by Grego Applegate Edwards. Cape May, New Jersey, United States I am a life-long writer, musician, composer and editor. I wrote for Cadence for many years, a periodical covering jazz and improv music. My combined Blogspot blogs (as listed in the links) now cover well over 3,000 recordings in review.
It's been a labor of love. The music is chosen because I like it, for the most part, so you won't find a great deal of nastiness here. I have no affiliations and gain nothing from liking what I do, so that makes me somewhat impartial. I do happen to like a set of certain musics done well, so it's not everything released that gets coverage on these blogs. I have thirteen volumes of compositions available on amazon.com. Just type in 'Grego Applegate Edwards' to find them. (But one is under 'Gregory Applegate Edwards.'
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You are why I write these reviews. I hope the joy of music enriches your life like it does mine. And thank you to all the artists that make it possible.
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Satie Piano Works Ciccolini Rare Earth
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